‘‘ I’m a political body whether I like it or not. Who I choose to date, where I choose to live, my dress, my speech. My children are born political without choice and my friends are political just by engaging with me. ’’

Mark making

Participatory

Experimental

Sensory

Playful

Heritage

Ancestry

Process

Archive

Preserve

A Critical Reading of the Spice Girls from 1994-2000

The Transformation of Objects and Materials: A Critical Exploration of Anya Gallaccio and Keith Arnatt.

A Space To Make

Urban 

Rural

Land usage 

Greenspace 

Availability

Medication

Addiction

Connection

Pills

Humans

An analysis of the ways in which agricultural farming and food growth can be been incorporated into urban architecture and how this can be applied to the future design of sustainable living in a British urban landscape.

the staff show is good, but racist. :2019

Could a lack of staff diversity be contributing to the BME attainment gap within Birmingham School of Art?

Pattern

Colour

Interpretation

Architecture / Interior

Structure

Wabi-Sabi

An Investigation into the Relationship Between Instagram and Artists

Colour

Bold

Interpretation

Emotions

Data

How audio has progressed to make gameplay more realistic?

whether i like it or not.

“To be camp is to present oneself as being committed to the marginal with a commitment greater than the marginal merits” Discuss in relation to Rupaul’s Drag Race, Past and Present.

Sustainable

Re-cycled

Social

Adaptable

Multidisciplinary

Classism

Value

Craft

Womanism

Conventional

Morality

What are the implications of a lack of class diversity in the art world?

Transformation of Objects and Materials: A Critical Exploration of Anya Gallaccio and Keith Arnatt

he said he he’s never dated a ebony girl, I gently reminded him I wasn’t a porn category, his face filled red, I laughed and ordered more Malbec. :2019

Extraction

Collage

Materiality

Process

Abstraction